1. Awesome call on the Cards/Packers shoot-out. Didn't watch any full game, but saw Ray Rice plow for 85 yards in the Ravens epic beat down and knew it was over.
2. Surprise surprise. Vampire Weekend is still making records. And Pitchfork gives them the good old lazy 8.6 for simply putting out a record.
Vampire Weekend sound like they've fallen in love with what they started and are hugging it tight without shame or apology.
I remember when the Strokes came out with their second record and someone at Rolling Stone said, "If it ain't broke, don't fix it." This was an apology to music fans hoping that the Strokes showed any kind of musical growth. That's fine. It's not like the Ramones took any chances during their epic run in the late 70's. They didn't have to, and neither do VW. They are happy taking their sound to the bank. It works for them and they garner mass appeal. It's simple pop music with an INDIE label.
Meanwhile, this review is filled with useless word-count-inflating phrases, especially when describing the band's supposed ska and anti-grunge aesthetic. To wit:
Adopting what they adopt and rejecting what they reject might make Vampire Weekend look like pretenders, but they're not-- they're reactionaries.
Aren't all artists influenced by other art? What makes VW different? If Animal Collective derive their sound from late-60's post-psychedelic damage folk, does it make me like them any less?
If a tree falls on a music critic in the woods, will Elton John change the words of "Candle in the Wind" again?