Showing posts with label Hall of Fames. Show all posts
Showing posts with label Hall of Fames. Show all posts

Friday, February 8, 2008

These Halls Were Built For Canadiens, Too

As I troll the interweb for new info regarding the Rock and Roll Hall of fame, I stumble onto this page. A simply wonderful wall where we realize that yes, there is a growing movement to include everyone's favorite pasty, technically prowessed, gilded cage-singing band into the hallowed shrine.
Although not particularly cherished by hip critics, Neil Peart, Geddy Lee and the other guy (poor Alex Lifeson) have changed a lot of peoples lives for the better. Check out these words of reverance:

In my youth Rush gave me the not only the World but the Universe.
I Thank You.
Lisa


Such are the powers of a giant fricking drumkit. Such formality in her writing, although this is the band that gave her the control of the universe. Of all the people in the World, I did not expect someone named "Lisa" to rule over all matter, great and small. Maybe someone named Krondak the Powerful, or someone who has "Powers" for a last name. That's reasonable. But the decision is up to Rush, so who am I to say?

And now is where the discussions of influence, longevity and technical prowess are thoroughly discussed. In my mind, longevity is not the greatest gauge of a band's greatness. Many truly great and influential acts came and went in record time:

Television, Suicide, Wire, Swell Maps, Sex Pistols, dB's, Gang of Four, the Zombies, My Bloody Valentine, Nirvana, Slint, Silver Apples, New York Dolls...

Really, the argument for longevity as a valid basis of greatness is incredibly muddled. Some bands original line-ups last only one or two albums, as members are replaced and the band carries on. King Crimson is a good example. The original line-up of Robert Fripp, Ian McDonald, Michael Giles, Greg Lake and lyricist Peter Sinfield lasted a SINGLE record. Over the years Fripp is the only constant member as others shift around him (much like M.E. Smith of the Fall). However, the King Crimson name remains, making them yet another band that has lasted as long as Rush.

And then there is the question of how one accounts for a hiatus. Is the band considered together, or loosely affiliated? The grey area is looming larger as I type. In 1998, due to personal tragedy (Peart's wife and daughter both dying in separate instances), the band took time off. Geddy fired off a solo album (with Matt Cameron from Soundgarden?), but not a peep from the band till 2002. So, is thirty years really a fair amount of time?

I'm not really looking for answers, I just think that Rush is above all of this arbitrary one-ups-manship involved in the Hall. I mean, just look at this drumset!


A band like this has no use for awards or annoying ceremonies where everyone claps too much and old-fogey bands are joined by "new talent" like Rihanna or John Mayer. Although imagining Rush and Rihanna onstage is a wonderful thing.

Rush is too busy winning fans with Ayn Rand references and bass guitar solos. Who gives a crap what a bunch of idiots in Cleveland think. Drew Carey has nothing on Tom Sawyer!

Anyways, some more highlights from the Rush/Hall of Fame thread:

Turnerbudd says:

"The bias against Rush is unbelievable. Explain the reasons some of these people are in and Rush is not.Is it influence? Look at the artists who call this trio influential. "

Dream Theater? Metallica? Living Colour? Yngwie Malmsteen? And then a list of vague prog bands that only people from "Guitar Magazine" can name. They are influential, I guess...

"Is it musicality? Three of the tightest musicians as consistently lauded by every major publication.
"
Um seriously? Rush has consistently garnered terrible reviews from every major publication. And when they did get good reviews, you have to wonder. Greg Prato is a little too into Rush as evidenced by his review of Hemispheres.

"" Neil Peart had become one of rock's most accomplished lyricists by this point, as evidenced by "The Trees," which deals with racism and inequality in a unique way (set in a forest!)."

The Lyrics in question:

"The Trees"

There is unrest in the forest
There is trouble with the trees
For the maples want more sunlight
And the oaks ignore their pleas

The trouble with the maples
(And they're quite convinced they're right)
They say the oaks are just too lofty
And they grab up all the light
But the oaks can't help their feelings
If they like the way they're made
And they wonder why the maples
Can't be happy in their shade

There is trouble in the forest
And the creatures all have fled
As the maples scream 'Oppression!'
And the oaks just shake their heads

So the maples formed a union
And demanded equal rights
'The oaks are just too greedy
We will make them give us light'
Now there's no more oak oppression
For they passed a noble law
And the trees are all kept equal
By hatchet, axe and saw"


Look, I know I could get in trouble with Fair Use laws, but did you read those lyrics!? Trees forming unions, showing a complex range of emotions, and an all-comsuming quest to claim sunlight as their own?! Prato goes on to say that this record is probably Rush's best. Hilarious.

Turnerbudd goes on to say, "Trust me, I'm not one of those die hard Rush fans who do not listen to any other form of music (hey, no one applauded more than me when Mile made it in)."

Two things: Firstly, why lobby for a band to be in a hall of supposedly great musicians and then claim not to be a super-fan? Secondly, I'm assuming you're talking about Miles Davis getting into the Hall. Why is it so special that YOU clapped for one of the greatest artists of the last century, knowing that he was a lock to get in? Do you consider jazz to be that different from rock and roll, especially when the man helped fuse those same movement together (for better or for worse)?

AmazinFudd finishes an impassioned speech to act with these solemn words of solidarity, "Look out...for the force without form"; lets you and I become that force to effect the change. Let's throw three flaming spheres down their throats and keep doing it until our goal has been reached."

I mean, whatever you need to do to get the R&R HOF's attention. I personally would go down these routes:

-send By-Tor, knight of darkness, Centurion of evil, and devil's prince to sway the vote
-claim that La guillotine will claim her bloody prize
-Tell them the Necromancer is watching them with his prism eyes

In the end, Rush reminds us of what is truly important with this gem from Spirit of the Radio.

"One likes to believe in the freedom of music
But glittering prizes and endless compromises
Shatter the illusion of integrity"

So, what's the point Rush fans? Would you rather have integrity, or join the ranks of the arbitrary? The prism eyes are watching...

Monday, November 12, 2007

Shes longevity it's icredible she's freshness more

I'm loving this Future Rock Hall page. Today we will have a discussion with fans of the Hall concerning one Ms. Donna Summer.

One good friend we will need is Senor Suspension of Disbelief. He is a nice fellow who helps you enjoy the ridiculous, surreal opinions that any writer or person tosses around. Especially crazy fans who think that Halls of Fame are the be-all-end-all of any persons career. This should drive me crazy.

Let me start by saying this is the ROCK AND ROLL hall of fame. This is the first post after the new nominees were announced.

Posted by Joe on Monday, 03.12.07

Like it or not, nobody defined a type of music singlehandedly any better than Donna Summer defined disco.

WOO HOO HOO!!! NICE!!! Rock and roll is not disco. Disco grew out of the cold, lifeless grooves of Kraftwerk, mixed with the rhythmic vigor of Motown and Stax recordings. Disco's foundation lies in the Rhythm and Blues hall of fame.

Anyways, fuck this shit. She's an R'n'B artist. Rock came out of R'n'B, Doo-wop, Country and Bluegrass music. How did an R'n'B artist deemed the "Queen of Disco" suddenly become a rock and roll artist? Perhaps a brief journey into Donna's past is necessary to fully understand her Rock and Roll roots...

-born in Boston, Massachussetts. Unfortunate home to Aerosmith, Dispatch, and strangely, not Boston the band

-grew up singing gospel. In a church. And then played briefly with a rock group!!! This it is, this must be where the rock and roll snow ball becomes a rock and roll avalanche!!!

-she moved to New York to sing in musical theatre. Nope. No rock, no roll. I'm waiting.

-she moved to Europe and performed in the German cast of "Hair." Ask any novice rock fan this question: What single action would make a person the antithesis of rock and roll? The answer is the first sentence in this bulletpoint.

-She joined the Viennese Folk Opera. Remember the question I posed in the last bullet point? This bulletpoint is that bulletpoint's true answer.

-She works with pioneering Electro-dance-disco producer Giorgio Moroder to create sleek and sexy pop hits full of keyboards and Linn drum machines. Wow. This is going nowhere. With each bulletpoint she floats further and further from the rock hemisphere.

I'm sick of these bulletpoints. Maybe one of these students of Rock will show me the light.

Posted by Luis Enrique on Saturday, 03.17.07

For many ways, Donna (SuperSexySweet) Summer deseve this nomination,

I would like to interrupt this fan's opinion by stating that I have in no way altered the spelling, grammar or punctuation of this passage. Enjoy.

she has a sweetsexystrongtender-rasposaagresiva-super voice, she was ahead at her time, she influeced todays music some many people who use now, the "yesterdays future music" now ! ! ! Like I feel love, I need you, Our love etc...Shes longevity it's icredible she'e freshness more, if you listen I got you love and you don't Know her or dont't recognoise her vioce you may think in a young beatifull girl ! ! ! singin' that song ! ! !

I...um, this is great. I wish everyone talked about music like this. Cut the bullshit right out, and get down to some animal shit. Luis eschews even the most fundamental laws of coherence and is just screaming, teeth gnashing, eyes popping out worshipping the Queen!!!

I have this image of Luis chained up in a basement, listening to the same four Donna Summer LP's over and over and over again. If only every fan was this deranged.

Posted by Joe S on Sunday, 03.18.07

Donna Summer must be voted into the R&R Hall of Fame. Besides her obvious talent, the woman shaped the dance music landscape and defined the disco era.

Read that sentence again. Besides her obvious talent. Wouldn't her shaping the dance music and disco era be a testament to her talent? Now I will use the font size to illustrate how wonderfully perverse this second and ultimate paragraph reads.

If you liked it or not, disco ruled in it's day - heck, even Barbra Streisand understood that.

WHAT!?! Barbara Streisand is the ultimate Rock and Roll Litmus Test? HOLY SHIT! Joe S is the kind of guy who walks out of an Air Supply concert unplugging his ears, saying, "Geez, what a loud, dirty rock band. My ears haven't buzzed like this since I saw Bread play in '72!"

Let's give kudos where kudos are kudos. Does anyone remember Bab's glam period? Or her contribution to the DIY punk movement? Or her shimmering new-wave hits? Or her crusty grunge jams? Could you imagine Barbara backed by Mother Love Bone? "I'm Going Hungry" indeed.

Posted by WinterMelody on Sunday, 03.18.07

Donna Summer has influenced every aspect of R&R as well as every genre of music, for 4 decades.

HA HA HA HA HA HA HA HA HA AH AH AHA HA AH AH AH AHA HA AH AH AH AHA HA AH AH AHA HA HA HA HA HA HA HA HA AH AH AHA HA AH AH AH AH AHA HA HA AH AH AH AHA AH HAH. Ha. Hoooo...

This is by far the most ridiculous thing I've ever read. Ever.

Beyond the initial shock of one single artist influencing every single last genre of music on our planet Earth, the idea that she has influenced EVERY ASPECT of rock and roll for four decades? I mean, do I really have to go into this? No, I won't. Too painful, too repetitive.

Let me now say this: Winning a Grammy does not signify anything. It means you sold a lot of records, and your record company paid off the radio stations just enough to give you clout for a bunch of years.

I can't even count how many DS fans cite her genre-spanning Grammy Awards as a reason why she should be arbitrarily placed in a ridiculous arbitrary Hall of Fame. Now to stem the redundancy with this final and truly epic slice:

Posted by Randy on Saturday, 09.29.07

If there was a "Mount Rushmore" Of musical Giants of the Rock & Roll Era, these faces would be chiseled in the rock!

50's Elvis / Little Richard / Chuck Berry
60's Beatles / Aretha Franklin/ Rolling Stones
70's Elton John / Donna Summer / Led Zeppelin
80's Bruce Springsteen / Madonna/ Billy Joel
90's Nirvana / Aerosmith / Alanis Morrisette

Even if Donna Summer does not belong in the Rock and Roll Hall of Fame, I give her props for creating one of the most ridiculous strings I've ever read about music. These people are truly demented. No David Bowie? Alanis Morrisette?

Awesome, plain and simple awesome.

Gotta run, Bread is playing at the Paragon and I have to buy some earplugs.

Tuesday, October 23, 2007

The Perpetuation of Rock and Roll

This is old news, and it doesn't really matter, but last year Grand Master Flash and the Furious Five were inducted into the Rock and Roll Hall of Fame.

Strange and stranger still is the list of groups that are "eligible" for inclusion this year:

Afrika Bambaataa
Beastie Boys
Chic
Dave Clark Five
Donna Summer
John Mellencamp
Leonard Cohen
Madonna
The Ventures

Read it again. And again. I will now list the nominees respective genres.

Hip hop/Rap
Hip hop/Rap
Disco/R'n'B
Folk Rock
Disco/R'n'B
American Rock
Folk
Dance/Pop/R'nB/Electro/Kabbalah
Rock and Roll

Notice anything? Yeah, so did I. Two straight up Rock acts. Two.

What the fuck is going on here? It pissed me off when they opened this supposed "Rock and Roll Hall of Fame", honoring a completely ridiculous and seemingly random number of artists. Also, could the idea of a Hall of Fame be any more embarrassingly American? In driving to my new home town of Outside of Chicago, myself and the Cleverest One passed the "RV Hall of Fame" in Indiana. They have Halls for everything. It is not a grandiose place of legends, it's a capital-driven tourist attraction, located in Cleveland, the Fertile Crescent of Rock and Roll that spawned such great groups as...well, not many great groups, I don't have time to cherry pick here.

This is besides the point. Has Rock and Roll really run out of useful candidates to induct? Or is Rock really trying to stake a claim for all other genres? Again:

Africa Bambaataa-in the mid to late 70's, he spurred a cultural movement in the Boogie Down Bronx, DJing block parties to give the youth something to do. He later teamed up with Renaissance man Arthur Baker and Funk and Soul pioneer James Brown to name a few collaborators. He and the Zulu Nation helped shape the early age of Hip Hop as we know it.

Nothing to do with Rock and Roll. Nothing.

Beastie Boys- one could make a claim that their marraige of hardcore rock ideals and aesthetic with the booming bap of Rick Rubin's 808 drum machine could make them semi-suitable candidates. I semi-agree. Only semi-wise, though.

Chic- The music was funky and made you dance like nothing else. Unless you were white, because white people dance like uncomfortable robots with self esteem issues. But that's the core of the issue. This music is not rock and roll. It spans several genres, but last time I checked Rock and Roll wasn't defined as any music played with a guitar, bass, drum and singing.

Dave Clark Five - Sure, why not. It would get the naysayers like this guy off of your collective back, Rock and Roll Hall of Fame:

"They were a hard driving group who played with all their heart and soul. Their music is still played today by a lot of people. Mike Smith had one of the best voices of the time and maybe in all of rock and roll. They sold over 50 million records as a group and they should be in the Hall of Fame."

Playing with their heart and soul? I'm sure that's easy criteria to assess. There has to be some universal gauge for heart and soul lying around. And no, their music is not played by a lot of people. Only old codgers and indie bands doing Garageband remixes. Also, when was the last time you read or heard anything about Mike Smith being a great vocalist? Never. That's right, never. Howling Wolf, Chuck Berry, John Lennon, Robert Plant, Harry Nilsson, the list goes on. And it usually does so without Mike Smith. Fuck you.

Donna Summer - What the fuck? What the fuck is going on here? Seriously, like, what the fuck? She did a disco cover of "The Wanderer?" I just...fuck. Is this...where am I? I'm blinded by this...Wait, seriously, I'm writing about Donna Summer and Rock. No. Disco. She did disco. Instrumentally, there were some...nevermind, it's fruitless.

This hurts too much to even finish the list. The real kicker is the Rock and Roll Hall of Fame's criteria for a candidate:

"Criteria include the influence and significance of the artist's contributions to the development and perpetuation of rock and roll."

Awful. Rock has been teetering on the brink of extinction for a while now, but that perpetuation line is a kick in the crotch of the movement itself.

The idea that a form of music that was so alive is now dead is sad enough. To state that other genres are mere perpetuations of Rock is just wrong. If it was true, and we're basing this on honest to god chains of influence, rock came out of the Chicago and New Orleans Jazz scenes, which were in turn birthed from the New Orleans brothel house music. So really this should be the New Orleans Brothel House Music Hall of Fame, and it should encompass all music everywhere.

A message to the Rock and Roll Hall of Fame: No need to be pathetic. Why not choose from any number of great bands out there who deserve a ridiculous and arbitrary award? Husker Du, Minor Threat, Black Flag, Television, New York Dolls, etc. Rock and Roll is great, and you don't need to grab other genres to make yourself feel good.

Unless you're Madonna. There was supposed to be a humorous drum shot there. Nevermind.