Showing posts with label Elvis. Show all posts
Showing posts with label Elvis. Show all posts

Friday, October 26, 2007

A Touch of Annoyance

Write whatever you want about indie music, just don't make the mistake of writing about the punk ethos. You are wrong. Very wrong. Come back when you read "Please Kill Me" or read a single interview with the Pistols. Tom Ewing made this mistake in his ridiculous column on Pitchfork entitled "Poptimist #9". The column refers to the NME's recent attempt to get "God Save the Queen" to #1 on the charts.

To generalise wildly, for an American audience punk stands for something creative-- an independent ethos and a DIY spirit.

Wrong. Wrong. What's great is that the British punk movement showed the world how to do it. The Buzzcock's "Spiral Scratch EP" set the tone, millions of band followed the example. America did not do it first. Get your shit straight. I don't care if you're wildly generalizing. That doesn't give you the right to fudge facts.

"It does stand for those things in Britain as well but also contains a destructive spirit, a declaration of Year Zero against what had gone before, no matter its quality: "No Elvis, Beatles, and the Rolling Stones in 1977".

Cool, nothing like perpetuating a myth about the base fundamentalism of punk. This fact has been refuted from day one (or Year Zero, whatever the F you want to call it). In fact, the Sex Pistols music reeked of early Beatles and the early 70's Stones. Also, how the fuck does one even try to escape the great ghost of Elvis. You don't, that's how.

He is the godfather. He sat down in Sun studios with some session musicians and while taking a break started playing "Blue Moon of Kentucky." No prompting, they just thought it was fun. Sam Phillips thought it was more than that. And thus, after a bunch of other like-minded back-beat-oriented tracks were cut, Rock and Roll was born for white America.

To escape Elvis, you need to play experimental music, and it maybe needs to be played from the moon with an orchestra comprised of polar bears. Telling the Queen to fuck off does not change the base derivative. The Pistols were a rock band, through and through. The image and fuck 'em attitude pushed the envelope, the music not so much. The Velvet's, Jonathan Richman, Stooges, Ramones, every band on the Nuggets release, the Kinks, the Who, the Small Faces, Chuck Berry, the list goes on and on. The Pistols' music was not revolutionary, it in fact was an amazing time warp. One escaped the overblown grandeur of Prog-rock and Lite Smooth Soundz of FM radio, not Elvis, the Beatles and the Rolling Stones.

Also to say that the American punk scene had nothing to do with "a destructive spirit" is bizarre. The violence of the West Coast hardcore and D.C. hardcore scenes even put off the musicians.

Wildly generalizing is for the birds.

Once again, there is going to be a follow-up on this very soon where I will point out how Rock Writing (notice the importance that capital letters bring to The Table!) is in a horrible state of repetition, where seemingly educated writers ignore the fact that they are recycling 20 year old material.

Bring me advancement or bring me death by musical exhaustion!!!

Wednesday, September 19, 2007

Serious Musicians




Nothing like an awesome google search to brighten our day. The title is the search. I think this will singlehandedly kill the idea of a "serious musician" forever. Believe it!!!


Like we all need more reasons to kill ourselves. John Mayer. Serious musician. He's the kind of guy who would want to promulgate that phrase. What a tasteless asshole. Meanwhile, the kid on my right proves my point quite well. He is in a stupor of sorts, at least that's what his eyes say. Some kind of parent figure probably pushed him in front of the horn and instructed him to thusly blow. He's learning, isn't he? Making even a farting sound on a cornet would qualify as a learning experience. You're taking it seriously, trying to coax anything forth. Therefore you're a serious musician. Anyways...


"Touch me, my saxophone demands it be so."


Even Elvis loves the Writemare. Who knew?



Wait a minute, this guy is supposed to be a serious musician? Look at that wonderful smile! How could this guy be a serious musician? He's a nice musician maybe, but not serious. That Cosby sweater, those fashionable glasses, this guy is just not cut out to be serious. Have fun being nice, though!





This guy is just a fucking failure. Look at that knowing smirk. Nothing says "not a serious musician" like a brown suit. And what the fuck is he raising his eyebrows at? If only I knew...

Whoa, what the hell, this guy on the bottom is supposed to be serious as well? It looks like the dude on the right walked into Men's Warehouse, aged 30 years and came back to take another picture. Personally, a tiny mustache denotes a "more serious" musician in my mind. That big old mustache makes me think of a sketchy middle school band director.








Ah, this guy. I'm...not even sure what to say. Why so elfish?

And...

Because when you or I think about serious musicians, we're really thinking about the flag of our great country. And little military hats, those too.

Thursday, August 16, 2007

It's a Fuck You Kind of World

Charlie Parker. Dizzy Gillespie. Louis Jordan. Benny Carter. Duke Ellington. Miles Davis. Charles Mingus. Bud Powell. Sonny Rollins. Cecil Taylor.



These are just some of the greats that Max Roach played with. The guy WAS the drums. He almost single-handedly changed the sound of the kit, with his shift from the swing emphasis on the bass drum to the exploratory pulse of the cymbals. You cannot listen to modern jazz without hearing his influence.

He passed away today at the age of 83, outliving his contemporaries by a long shot. Another legend gone.

And CBS gave him a fitting tribute on their Evening News with Katie Couric. The segments went like this:

5 minutes given to the 30th anniversary of Elvis' death.

1 minute given to the announcement of Max Roach's death.

6 minutes given to High School Musical On Ice.

I shit you not. Read it again, newly abridged.

1 minute for Max Roach, one of the greatest and most influential percussionists in modern music.

6 minutes of a Disney teen fad.

Dear CBS News and the world as we know it: